I wanted Swans to be “heavier” though – I wanted the music to obliterate - why

I still reject a lot of shit

Even though the move to New York and the change in remote working was tough

and cartridge

the Lee Fields' classic

LogarDecay - FRGL (CS) D'Angelo I wanted Swans to beLeslie Garca and Paloma Lpez (Mexico City) have been working for several years around the intersection of music, art installation and science, with sound being the primary objective of their analysis, acting their roles as composers creators and observers of the physical phenomenon. Their work ranges from experiments with bioelectrical sounds created by living organisms like bacteria and plants, to the use of custom made sets of hardware they call